trippy monkey wrote:Is there anyone here who knows the Carnatic to Hindusthani equivalents of the main ragas.
Like Malkauns is Hindolam, I think.
luvdasitar wrote:There is a jugalbandi on youtube. Gopal Meera on the Veena and Ustad Shahid Parvez on the sitar, playing Puriya. For me the Jugallbandi did not work because of the big differences in tone between the two instruments and also that you can fly on the sitar whereas the Saraswati Veena is a heavier instrument. I think a jugalbandi with the Surbahar might have worked better ?
Depends on how you see it.. There are very elaborate renditions of hindUstANi jhinjhOTi - Actually it is much more important rAga than our jhanjUTi which at best gets a small devaranAma/bhajan/shlOka or a part of a rAGamAlika.
Many sanchAras in hindustani jhanjhUTi are very similar to our own grand rAgas kaMbhOji and yadukula kAmbhOji
Hindustani Jhinjoti is nowhere close to Senchuriti !
Jhinjoti is infact very close to Kambhoji but it's flavour is very different. If Kambhoji can be 'robust', Jhinjoti is 'serene and calm'
I guess the same is true of all ragams that are sung in madhyama sruti (nAdanAmakriyA for eg.), as their range is usually restricted.
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